Chicago State of Mind

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It's been a mere 6 weeks on the new job and I am loving life. Every day I feel lucky to be surrounded by so many experts in the event industry. After spending the past 2 days with our extended family of creative strategists in Chicago, I am all amped up and ready to share this energy with my team in San Francisco. But since I'm trapped on this plane, I thought I'd take a moment to reflect.

It's been an intense six weeks, as I've spent every moment trying to soak it all up, while simultaneously turning it up to 11. I've had to reteach myself how to work in a very focused, yet collaborative environment of individuals that are never doing the same thing each day. A recently acquired boutique transitioning to totally different tools and best practices of our broader company produces little daily annoyances, but nothing compared to some of the passive aggressive environment I’ve worked in before. I've had to put my faith in freelancers I don't know—some ultimately creating more work for me, while others surprised and excited me in ways I didn't think possible. I've visited the SF Marriott 4 times and learned how to negotiate things like window decals, column wrapping and staircase branding.

But with everything new I find myself navigating through, I’m also feeling super accomplished after 6 short weeks. I lead a new business pitch for a super elite thought leadership opportunity in the tech space, delivering a very sexy booklet of headshots with QR codes leading to a microsite of rich content about our firm. I art directed AV for an upcoming General Session. I sat VIP for Fitz and the Tantrums at the Regency Ballroom to scope them out for the evening event I'm designing at SF City Hall. I convinced the entire office to start using Pinterest. I hosted a brainstorm in a room all think tanks should be.

More bonuses? I find myself justifying all invitations out in the name of researching a new experience...something our social life didn't really need any extra justification on, but whatever. And took my work travel to a personal level—fitting in visits with old friends (even if we just napped on the couch on a snowy Sunday watching movies), gluttonous dining choices (burgers at Kuma's and deep dish at Ginos East), and family (a quick dinner before boarding my flight back to SF).

Sure I'm still working a lot and lose sleep over things I can't (yet) control, but I survive on the passion of my teammates and the respect of creative from our inspiring clients. I couldn't be happier with my career change.

New Year. New Job. New Outlook on Life.

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After nearly a month off, I am finally back to work and so, so excited to be a part of something completely different. That said, there is much about office life that is so painfully the same. The grass always seems greener when it comes to the small stuff...but what I'm realizing is that it truly is ALL small stuff. All those little things I hated about previous jobs (arrival unpreparedness, seating structure ambivalence, role blurriness) are still prevalent at my new gig, but I am consciously choosing not to sweat them. And I have a feeling my time-off has something to do with this sudden change of attitude.

In the past, I have chosen to dwell incessantly on things that were out of my control, or have not spoken up when I could have made things more clearly defined. However, as I go through my first day, meeting my brilliant new colleagues and learning about my fascinating new clients, I am determined to focus on the positives (friendly & competent admins, sweet office space in a killer location, respect for my talents and timelines, fresh perspectives from a team that's basically just too busy to prepare for my much appreciated arrival).

I'm totally rocking this honeymoon period (I kind of have to, I don't have a computer til the end of the week...), but I'm not an idiot. I know I have a busy couple months ahead of me—meeting extended teams across the network, as well as fully immersing myself into the live event scene—but I'm psyched. It's crazy the fresh outlook a month off can provide.

The Importance of a Movie Title Sequence

Some people will argue that title sequences are insignificant. That audiences often show up late, or are so focused on their huge sodas and Sour Patch Kids that they often miss them, but I disagree. I think movie titles are the best part. They are the commercials to my Super Bowl.

Inspired by a conversation with my old team over drinks a couple weeks ago, I decided to dig up the title sequences that have left the biggest impression on me. More (expert) opinions and way more interesting detail about each sequence can be found at Art of the Title


Thank You for Smoking:

 I'm a sucker for vintage cigarette packaging and typography.

Title sequence produced by Shadowplay Studio.


Wimbledon:

It's a simple but clever opener for this sporty love story. The Helvetica hits each side of the screen, as a tennis ball would hit each side of a court. Playing up the monotonous rhythm of a match and precision of the sport, I'm completely mesmorized and psyched up for the movie to start.

Title sequence produced by Prologue.


Lemony Snicket's A Series of Unfortunate Events:

At 5:37, it's a crazy long end credit sequence, but the friendly music and cut paper style illustration and pattern overlay keeps audiences in their seats til the very end.

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http://www.watchthetitles.com/articles/0019-Lemony_Snicket_s_A_Series_of_Unfo...

Title sequence produced by Axiom Design & MWP/Caliri Productions.


Napoleon Dynamite:

Colors, textures, cleverly designed details from the story. The title sequence was so fantastic, I thought the rest of the movie was just okay.

Opening Title
Get More: Opening Title

Title sequence produced by Jared Hess.


Blue Valentine:

Another end credit sequence that begins as Ryan Gosling's (swoon) character walks off while the fireworks explode in the sky above the tiny neighborhood. I appreciate the use of onset photography overlayed with what should be celebratory explotions, revealing the images and capturing the essence of this heart breaking movie.

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http://brinkzine.com/content/10957/Pure+Magic.html

Title sequence produced by Jim Helton and Charles Christopher Rubino.


Catch Me if You Can:

I just don't think there's anything better than this. Vintage, illustrative, typographic, infographic, cheeky. The way the motion graphics work in harmony with the music is reminiscent of, and captured my attention similarly to, Fantasia 2000 Rhapsody in Blue. And, I watched Catch Me if You Can for the first time with my now husband when we were mere acquaintances...and I tried to impress him with my knowledge of design as I critiqued and cooed over the opening sequence. Le sigh.

Title sequence produced by Chris O'Reilly and Charlotte Bavasso.

The End of an Era...

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...and the beginning of something great.

2011 was an intense year for my career. I came out to San Francisco to build a team and I did, though I wasn't totally crazy about what it took to build it. My grandfather always told me 'if you have nothing nice to say, don't say it at all' thus my posts and twitter updates were few and far between. While I loved, loved, LOVED our new city, my work is my life and that life was causing me some strain.

Currently on sabbatical, I vow to spend 2012 in a more positive place...beginning with a new Creative Director position at Immersa Marketing, located in the design district in San Francisco, on January 23rd. Join me as I cannonball from 5.5 years in the PR world into creating experiences for live events and audiences. It's a whole new world for me, and I cannot wait to get started.

I'm spending the next couple weeks off getting my life in order, as well as a trip back to DC, but keep an eye on me. 2012 is going to be huge. 

Panoramic taken in my backyard, Bernal Hill: My constant inspiration. As well as this guy: http://katieobriensf.posterous.com/quit-yer-bitchin

Design Team Outing: Burgers and Bad Dads

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It's taken me a year in SF, but I finally have my design team. We've grown from 1 to 5, which is the prefect amount to have productive weekly creative check-ins, random inspiration field trips and mid-afternoon game breaks...all things that—to a manager's eye seem like non-billable nonsense, and yet—are imperative to the brilliant work that we produce. 

Today, Han, Jeremy, Rebecca and I spent our lunch break checking out the Bad Dads exhibit at Spoke Art Gallery in Lower Nob Hill area of San Francisco. Strangely enough, I found out about this exhibit because creepy Facebook profiling noticed that I dressed as Team Zissou from The Life Aquatic for Halloween and advertised the opening event in my sponsored side bar. And when my video preditor, Jeremy, dressed as Chas Tennenbaum from the Royal Tennenbaums, I knew this was the perfect innaugural outing for our group. 

Without the Super Duper Burger stop on the way back, we might have been the most productive we've been all year.

Margo photo by Jeremy. Other 2 by me.

Fall is my Favorite

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I love fall. Part of why I love San Francisco so much is because the weather is eternally fall-like. Unfortunately, they don't do foliage like New England—no one does—so I was elated to be able to drive from Boston, Mass to Stowe, Vermont last weekend for a friend's wedding.

The pumpkin shot is one of many shots I captured on the side of the road as we cruised about town in the rain, hoping to ease our suitemate's hanger issues with an oven roasted chicken. This once functioning, now delapitated chicken farm is the back drop for pumpkin sales as well as wedding portraits, the salesman shared.

This is another one of my favorites, taken in the parking lot of the Cider Mill we stopped in for hot apple cider and donuts as we arrived in Stowe. 

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Steve Jobs in Bodoni

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The last time I was this devastated by the death of someone I had never met it was 1994 and Kurt Cobain had been found dead in his garage from a self inflicted gun shot wound. He was 27 years old when he died and was a "crazy one" that had changed the music industry, and my general outlook forever.

Though Steve Jobs doubled Cobain's age, dying from complications with pancreatic cancer at 56, and had accomplished a ridiculous amount during his life (just check out his interactive timeline via New York Times), he was still far too young to be finished in this world. As I rewatched the Stanford commencement speech for the billionth time and sifted through #RIPSteveJobs tweets and Facebook updates from nearly everyone I follow (via devices he invented), it appears he truly made the most out of his short life. 

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Mission accomplished Steve. You strove for perfection in everything you have done, created multiple products and produced films that everyone loves, and are an inspiration to anyone who has suffered a public struggle with hopes to bounce back. You will be greatly missed.

Saying Goodbye? Anthony's Pier 4

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It has been rumored that, after nearly 50 years of business, Anthony's Pier 4 in Boston, MA, is shutting it's doors this Spring to make way for some hoity-toity waterfront apartments. While not entirely a surprise — the Seaport District has been building up around it for sometime now, making Anthony's dusty shipyard decor look pedestrian — it's still sad to think of a life without lobster cocktail stirrers and waitresses in colonial garb delivering popovers fresh from the oven.

Growing up outside of Boston, Anthony's was always that place our family celebrated big events that called for a 30 minute trip into the city. Now, as an adult, it's that place we like to go after a visit to my hometown and before my parents drop us off at Logan airport. This past weekend, visiting with my parent's after a friend's wedding in Vermont, I walked through Anthony's fearing it might have been for the last time.

I've included some of my favorite photos that I took during our visit, but you can view the entire album here. There's talk that they may reopen in a new spot, but it will never be the same as Anthony Athena's flagship restaurant. You can't move the memories that occured throughout: Steve McQueen shaking Anthony's hand in front of the wine cellar, Elizabeth Taylor having a cocktail in the Rum Room, the many weddings that took place upstairs in the Lynn Room, or the quiet anniversaries that my own grandparents toasted in the dining room.

I grabbed a bouquet of plastic lobster stirrers to bring back to San Francisco so that everytime I have a cocktail, a little bit of Anthony's will have one with me. 

 

A Day to Reflect

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Everyone seems to be asking/answering the same question this week: Where were you 10 years ago today?

My story, summed up in 75 characters on the New York Times Interactive Map, isn't universally special, but it was a day I won't ever forget. It was 11 days after saying goodbye to my family in Massachusetts to move 8 hours south into a house in NW Washington DC. It was also the very day after I had applied to every open design position in the DC Metro area by faxing in my resume, dropping off promotional samples, and emailing my contacts a link to my portfolio—an effort that definitely went unseen. The minute the first plane hit the north tower and the days events unfolded, I knew that new design hires would become a lesser priority as the year progressed.

To afford my rent and pass the time before finding my first job out of college that my hard work at Syracuse had promised me, I was working mornings as a barista at Starbucks (5am - 2pm) and evenings waitressing on the Georgetown waterfront (5pm - 2am) and napping between shifts. On Tuesday, September 11, 2001 at 8:46am, I was working the register and chatting up customers—oblivious to what had just happened in NYC. When the Pentagon was hit nearly an hour later, a woman ran in and screamed "Do you have a radio or something? NY and DC are under attack!" Without any access to media, only patrons relaying what they knew, I was instructed to close down the store and get home as quickly as we could, which was luckily a couple blocks away in Tenleytown. Cell service was crap and my roomates who worked in government buildings were instructed to stay put, so I sat alone, watching the horrific images sitting crosslegged on the hardwood in front of my new tv, in my new house, in my new city, alone.

I grew up that day. And it was the 2nd instance that year where I was forced to grow up.

My favorite part of the online contributions this week is that we're almost able to get back to those days immediately following the attacks. The days when everyone smiled more sincerely and conversed a little longer, having been a part of something bigger than anything we had going on previously. Sure it took another 5 months, freelancing and another part-time job at the GAP for the holidays before I got that true first job out of college, but the life lesson I experienced is one that has shaped who I am today. 10 years later, now living in San Francisco, I celebrate my independence and value those that surround me—dare I say it—"more than ever".

I will continue reflect today by doing the most American thing I can think of: drinking beer and watching baseball at the Giants/Dodgers game at AT&T Park.